What turns a superyacht into a thing of beauty? We asked scores of the world's leading yacht designers to list the 10 most beautiful superyachts ever built...
The only rules were that they couldn’t pick one of their own and they had to be luxury superyachts over 30 metres. With the votes counted, we can now reveal our definitive rundown of the most beautiful yachts in the world.
We’ve even enlisted some of those same designers to explain what makes the final ten yachts so special. Scroll down to see the full top 10 and read more about each model.
James Roy, managing director of BMT Nigel Gee believes her to be one of the most beautiful superyachts in the world and writes:
“One of the earlier breed of superyachts Limitless is in my opinion from a period when the volume of superstructures were not over imposing producing a well balanced yacht. These proportions coupled with the sheer line and well matched angles of bow profile and rake of superstructure ends all work together.”
Certainly with her dark blue hull and glistening white superstructure she cuts quite a dash and at night her comprehensive array of on deck illumination and underwater lighting make her look nothing short of spectacular proving that yachts can have beauty 24 hours a day.
Year: 1997 – LOA: 96.25m – Builder: Lürssen – Exterior: Jon Bannenburg – Interior: Catroux
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“It’s a great pleasure to pay tribute to an iconic thoroughbred such as Skat , still standing tall on the horizon,” says Tim Saunders of Rainsford Saunders Design. “Despite her military looks, this is a true superyacht, engineered as a ship at heart and built from the keel up, with every square metre fulfilling the owner’s brief. Skat is a unique design but has not broken traditional yachting rules for the sake of it.
She is a superyacht that has been devised to offer the owner a well-considered relationship between external and internal living spaces, and unlike many of her sisters, she doesn’t opt for maximum density. Skat ’s combination of poise, elegance and balance comes from a clever use of straight, angular lines, facetted surfaces and enhanced ship details.
Each component comes together in a harmonious relationship to offer a daring and bold statement that from a distance has the grace and elegance of something far more organic. She is a yacht that catches your eye from all angles.”
Year: 2002 – LOA: 70.7m – Builder: Lürssen – Exterior: Espin Oeino – Interior: Marco Zanini
“When we first saw Alfa Nero we were impressed by her smooth exterior lines,” say Mareid Moosbrugger and Georg Decker of Egg and Dart Design. “The superstructure is sleek and elegant without any angular or hard corners. We consider her to be one of the most beautiful yachts afloat today, and we can easily understand why our colleagues agree.
“Walking around her at the 2007 Monaco Yacht Show , we felt the three-dimensional use of space was harmonious with the elements, and there was a true balance between the inside and outside areas of the yacht, with the exterior spaces maintaining a close connection with the natural environment of the sea and sky.
“The decks are open and airy, yet there is a feeling of being safely cocooned, and the superb aft deck in particular maintains a feeling of being at one with the ocean, which is emphasised by the huge pool. The yacht impressed us as a gentle giant: on the one hand huge, voluminous and technically advanced; on the other, stylish, glossy and surprisingly cosy.
“The beautiful interior features a timeless but modern design with elements of Art Deco, and everywhere you can see that the smallest details have been attended to. This yacht is a perfect combination of design, functionality and vision, and offers a unique ambience.”
Year: 2007 – LOA: 81.27m – Builder: Oceanco – Exterior: Nuvolari-Lenard – Interior: Alberto Pinto
Designer Reymond Langton says: “At the time of her creation, she was the largest yacht that we had signed and would be the largest the yard had built. The client is a very experienced yacht owner and for him to have put his trust in us when we had nothing of our own in the water at the time was a massive vote of confidence.
“He allowed us to be a little experimental with the design – this was the first large yacht with a plumb bow. It was fantastic to have landed another contract where we were able to design the exterior and interior as it gave us much more control over the whole project, and gave us the scope to really harmonise the spaces.
“It also allowed us to work hand in hand together, which we thoroughly enjoy and believe delivers the best results for the client. We think she stands out because she has a very striking profile that is easily recognisable from a distance.
“She has a lot of presence on the water due to her powerful lines. Anyone who has been on board will tell you that the high-volume interior feels incredibly luxurious.”
Year: 2007 – LOA: 68.0m – Builder: Abeking & Rasmussen – Exterior: Reymond Langton Design – Interior: Reymond Langton Design
The Austrian supermarket heiress Heidi Horten replaced Carinthia VI (see below) with this very secret yacht rumoured to run at 26 knots. Voting her as his most beautiful yacht, Rupert Mann of Rainsford Mann Design said, “97m is a good length for a designer to work with, as it gives an opportunity to design longitudinally not vertically and therefore create an elegant yacht which appears low and sleek.
“What makes the design of Carinthia VII so successful is the enhancement of this due to the pure and elegant sheer line that draws your eye from the bow to stern so effortlessly. The clever trick of dropping the sheer line one deck down aft, gives it a dynamic and purposeful bow shape forward, as if carving its path with consummate ease.
The horizontal lines of the super structure are equally uncomplicated, in this instance resisting the addition of unnecessary detail such as fashion plates that often complicate a design. Ultimately I think the strength of the design manifests through its simplicity. It is the most successful of designs, which can be called a ‘timeless classic’.
“A design that will be successful in every genre modern or classic and in every decade, that even 7 years later still is relevant and pleasing to the eye. I would suspect it is this timeless styling and the sheer simplicity, coupled with the poise and balance of the whole composition, that is so appealing to so many of us.”
Year: 2002 – LOA: 97m – Builder: Lürssen – Exterior: Tim Heywood – Interior: Tim Heywood
The designer Ken Freivoch, responsible for the way this beautiful yacht looks says, “We are delighted that our fellow designers should have included Maltese Falcon within their shortlist. She was designed without any attempt to be ostentatious or to conform to a set style – it was very much a case of “form follows function”, albeit with very careful attention to essential design principles, balanced proportions and uncluttered and purposeful shapes totally derived from the function they are designed to perform.
The yacht is significant in her innovative sailing system, and our studio took this as a clue to develop the design around such technology, with every effort to develop beautiful and unique solutions aimed at highlighting her unique rig. I can only surmise that a reason why she may have been selected by designers is that she is not a “trendy” design, but the result of going back to first principles, coming out with original and unique solutions, and achieve continuity of concept through from the external styling to the interior design.
A case in point would be the design of the “spider” feature at the aft deck – originally the result of a last minute request from the naval architects to achieve optimum separation between the bearings at the mizzen mast, the announcement from Gerry Dijkstra came something like: “Hey Ken, if we had to place the top bearing for the aft mast 1m above the deck, in the middle of the aft deck – would that be a problem?
“Can you come up with a way to do this, which Tom will not object to? We took this as a clue to design an elegant and purposeful set of arches or buttresses to shore up the bearing in question, and at the same time underline what a unique “machine” the Falcon is – express such function very much along the lines of a watchmaker showing the inner workings of a beautifully crafted watch. Maltese Falcon was a great challenge, exactly the type of challenge that our design team relishes.
For us, the thrill, the excitement and the ultimate satisfaction is to come up with totally unique, “out-of-the-box” solutions, and achieve a design which the owner can feel was truly conceived and executed in response to his brief, to his preferences and to the very specific requirements set out for the project.”
Year: 2006 – LOA: 88m – Builder: Perini Navi – Exterior: Gerard Dijstra – Interior: Ken Freivoch
Espen Oenio was at the time of the design working with Martin Francis and describes the commissioning owner – Mexican media magnate Emilio Azcarraga – as a wonderfully charismatic man. He remembers one meeting in particular early on in the project.
They were at the time sitting on board the owner’s then yacht Lady Azteca (now Achilles ), when he laid out what was to become the mission statement for the whole design process. He told the design team: “I am a very private man. I never spend time in port, I am always cruising. But when I do go into port, I want my presence to be felt through my boat.”
James Roy of BMT Nigel Gee is one designer who voted for Enigma . “It was not until I set eyes on her in the flesh at Cowes Week in 1999 that I really came to appreciate her beauty,” he says.
“The reverse sheer, the sweeping aft deck and those iconic windows – they all meld together to produce a yacht that visually works to perfection and is thoroughly striking even today, 18 years after her launch. It’s very different from anything else that is around.”
Theo Werner of Werner Yacht Design is equally enthusiastic. “When the design of this yacht was first published, I was stunned,” he says. “And when the first photographs appeared in the magazines, I was even more stunned.
“She introduced a new way of thinking that even surpassed the designs of Bannenberg, who I admire very much. Eco included many aspects that are foreign to other ships and yachts, yet Martin Francis managed to combine these with everything that make a ship pretty, such as sleekness, the suggestion of a low freeboard a small superstructure.”
She was subsequently sold to Larry Ellison and is now owned by the British businessman Aidan Barclay and his brother.
Year: 1991 – LOA: 74.5m – Builder: Blomhm & Voss – Exterior: Martin Francis – Interior: Francois Zuretti
“Endeavour is one of my favourite yachts for a number of reasons,” Ed Dubois told SuperYacht World . “Firstly, she is a J Class yacht – one of only a few ever built. This class epitomised the very peak of yacht design before World War II and remains still, in technical terms, a class apart. These yachts were extreme in every way and demanded technology that was then in its infancy.
“They were superb yachts to sail upwind, but they were also fast reaching and downwind. They demanded a very high level of sailing skill, and indeed a high level of boatbuilding skill.
“ Endeavour , I believe, is the most beautiful of all the Js built. Her purity of line is exquisite and I think the shape of the sheer is slightly better than any of the others including Velsheda (by the same designer).
“Charles Nicholson designed Endeavour in 1933 and she was used to challenge for the America’s Cup in 1934. It was universally acknowledged that she was faster than the defender Rainbow , and she won the first two races, but better sailing by the Americans allowed them to win overall.
“She has captured the imagination of so many people including, happily, Elizabeth Meyer, who acquired the yacht in the seventies and rebuilt her almost from scratch.
“I believe there is some original plate still present but the hull was rebuilt in the UK and then taken to Royal Huisman Shipyard to be fitted out. The interior, by John Munford, is beautiful – obviously not what was fitted originally when she was a pure racing yacht, but Munford created something that is entirely fitting.
“Endeavour is not a practical yacht to own. She can only be sailed in reasonable conditions, she requires a large crew to race her, most of whom by necessity must sleep ashore, and maintaining a yacht of this type, particularly with regard to sails, rigging, etc is not inexpensive. However, for sheer sailing performance, romantic appeal and beauty I believe she is second to none.”
Year: 1934 – LOA: 39.6m – Builder: Camper & Nicholson – Exterior: C & N – Interior: C & N
Designer Tim Heywood says: “When a client gives you carte blanche to create a design, it is a blessing and a curse, if you do not rise to the challenge, you will not gain the approval of your client or, eventually, the respect of your peers.
“ Pelorus was a great project for us and we are extremely pleased with the end result, as was the client. I was able to develop the internal general arrangement plan, the external global styling themes and the practical engineering details to a level I had not achieved before.
The organic curves & forms of the superstructure are echoed in the lines of the hull, tying the two forms together, to produce a harmony that is easy on the eye, was quite unique at the time and, hopefully, will not date.
“The belt line that runs forward from the stern and sweeps down towards the anchor pocket, is inspired by the armour plating of the light cruiser HMS Belfast , which still lives just up stream from our old London studio.
“If I succeeded in creating a yacht that is thought of as attractive, by my brothers in arms of the design world, I am very pleased. Informed comments from professional, talented designers and client, means more than from any other source, especially if they are not negative!
“My partner, Vanessa, came up with our project name, we always give a name to our yachts, rather than a sterile number, and the client liked the name so much that he confirmed Pelorus as the yacht’s eventual name. The yacht has changed hands, but we are very pleased to see that she has retained her original name.”
“If I succeeded in creating a yacht that is thought of as attractive by my brothers-in-arms of the design world, I am very pleased. Informed comment from professional, talented designers and clients means more than from any other source – especially when they are positive!”
Year: 2003 – LOA: 115m – Builder: Lürssen – Exterior: Tim Heywood – Interior: Terrence Disdale
Dickie Bannenburg of Bannenburg Designs say: “Famously, and perhaps notoriously, Carinthia VI owes her existence to the fact that her elder sibling Carinthia V survived for only a few months before ending her days several fathoms down in Greek waters.
:The unfortunate captain struggled ashore to find a phone to have an awkward phone conversation with Helmut Horten, his Owner. Mr Horten rang my father up almost the following day and told him to start work on her replacement which has now become, in an often over used phrase, a yachting icon.
“She certainly wasn’t an icon when she appeared out of the Lürssen shed for the first time. With dramatic superstructure on a slim frigate-based hull, grilles and that distinctive blue windshield forward of the wheelhouse, my father’s design scared the pants off people and the perception of him hardened amongst conventional designers and naval architects as a dangerous radical. But now her pared down lines and slender masculinity scream good taste, restraint and a sense of suave style that is rarely seen these days.
“Certainly her interior was purposeful, code for slightly austere, and by today’s standards there was not much interior volume for lavish living, not least due to the presence of three mighty MTU diesels. There are no swoops, no complicated fashion plates and absolutely no ability to walk down steps at the transom to a nice bathing platform.
“But all the better for it. Life on board was, I understand, conducted with a certain Austrian precision and Carinthia ’s elegant and taut exterior, with deep blue paintwork and her gold coachwork stripe cut an unmistakeable dash in the harbours of the Cote d’Azur as she still does today.
“My father was very proud of her. Of course I’m even more proud that his design of almost forty years ago has such an enduring impact.”
Year: 2003 – LOA: 115m – Builder: Lürssen – Exterior: Bannenberg – Interior: Bannenberg
First published in the January 2015 issue of Superyacht World.
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Before you take your new yacht on the high seas, the first task is designing its interiors.
By Elite Traveler
So you’ve had your taste of sailing the high seas – you’ve done the cruises , the private charters and even walked the rounds at the yacht shows – and decided that your love of the ocean requires something more; a yacht of your own. However, if you have purchased a vessel that has not been pre-designed or furnished, the next task will be designing superyacht interiors to fit your requirements.
Much like the design of private jets, the size and usage of a yacht will be the main factors in how the vessel is designed. How many cabins will it have? How many leisure spaces? Will you need space to carry out work or entertain guests?
One of the easiest ways to get around these questions is to work with a yacht interior designer , who can help you work through all the decisions and will also have knowledge of the health and safety requirements of any vessel before it is certified as sea-worthy. Although we would highly recommend seeking expert opinion, it doesn’t hurt to start thinking about what interiors you would like to see in your yacht.
Elite Traveler has put together a collection of interior options including everything from lighting to dinnerware, to spark your imagination and help you start creating the perfect superyacht interiors.
[See also: These are the Yacht Interior Designers to Know]
One of the most important considerations for both the style of your superyacht interiors and the safety aspect will be the furniture you choose. Depending on the size of your yacht, you may also have several rooms to furnish – giving you the opportunity to create your ideal lounge, dining space, office, cabin and even a gym or onboard cinema.
No matter the type of room, you are sure to find something that suits your style with Visionnaire. The luxury furniture company has been making world-class pieces since launching in 2005, with a strong focus on high-quality, natural materials. We particularly love the stunning Pavone Armchair , a statement piece that comes in a range of colors and metal finishes.
For beautiful and sustainable woodwork, opt for British furniture manufacturer RAFT. The brand is best known for using sustainable teak that is tried and crafted in Indonesia; the wood is naturally pest-resistant and durable, growing without heavy irrigation or fertilizers. RAFT’s Teak Root Glass Dining Table is a great option for any dining space, coming in a variety of sizes with a contemporary look that will work well with a variety of styles.
If you’re looking for something more bespoke and selective for your furniture pieces, look no further than Glyn Peter Machin . The designer and his team have been crafting bespoke furniture and accessories for over 20 years, with a portfolio of works that covers private residences and superyachts across the world. One of the brand’s latest pieces is a vibrant wireless Audio Cabinet that acts both as a work of art and a functional addition to any cinema room.
[See also: The Best Hybrid Superyachts in the World]
One part of interior design that is often overlooked is the accessories within a room – but these can often be the final touches that finalize a space and harmonize it. For example, a well-chosen dining table will need dinnerware that has also been thoughtfully chosen. We prefer luxurious homeware brand L’OBJET’s Aegean Filet collection in gold; its finish is subtle and won’t detract from the food being served, but also has a slightly nautical touch with the scale-like gold trim.
If you’re planning on entertaining onboard your yacht, it’s impossible to go wrong with Baccarat – the global luxury icon that has been handcrafting beautiful crystal objects for over 250 years, ranging from stand-out decorative pieces to exquisite table and barware. To really make an impression when the celebrations get started, cool your champagne in Baccarat’s Harcourt Champagne Cooler .
When thinking about other types of accessories or final touches to pull a space together cohesively, don’t forget about artwork and how this can play a part in your superyacht interiors. For a stylish, lifelike sculpture to act as a statement piece within any room onboard, opt for a work by Hamish Mackie . The British sculptor is particularly interested in wildlife and capturing the spirit of the animals, with pieces being cast in bronze and silver.
When it comes to superyacht interiors, another important aspect of the design is the materials that are used throughout the vessel – these should be both stylish and seaworthy, adding to the style of a room while still complying with safety checks. A yacht interior designer will know how to approach this, but there are several brands that specialize in yacht materials worth knowing, in case you are planning a specific look onboard your yacht.
Studioart , for example, is a manufacturer of high-quality upholstery leathers and wall coverings, which mixes innovative technologies with the heritage and craftwork of leather making. This careful balance has meant that the brand can now be found in private yachts, homes and jets across the globe. For other types of surfaces, we love Nature Squared – an innovative company transforming sustainable, natural materials into high-quality surfaces and finishes for a range of products, private homes, yachts and more.
Finally, no list of yacht-worthy materials would be complete without mention of the world-renowned House of Tai Ping : the brand creates some of the most exquisite handmade and woven carpets in the world, which can be found everywhere from five-star hotels to private jet and yacht interiors. In fact, the brand has its own Yacht Division, which was founded in 2002, making it even easier to translate its beautiful designs into pieces that can work on your yacht.
[See also: The Best Luxury Yacht Builders in the World]
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Running from September 28 through October 1, the Monaco Yacht Show is the highlight of the global boat show circuit. This year’s edition promises to deliver plenty of buzzy debuts, headline-making yacht news, and high-design highlights. There are several new additions to this year’s event in Port Hercules including a sustainability hub and a gadget- and gizmo-filled adventure area , packed with new water toys and flashy supercars —it is Monaco , after all.
For denizens of design, the Yacht Design & Innovation Hub is returning for a second year, with presentations, galleries, and exhibits by yacht architects and designers. But, of course, the big boats steal the show. With yacht interiors that range from the classically nautical to the budget-blowing bonkers, these are the superyachts to have on your radar at this year’s Monaco Yacht Show.
An oversized chandelier defines the space in the informal dining room aboard Ahpo .
All eyes will be on the whopping 377-feet Ahpo , by Lürssen, when it debuts this year at the Monaco Yacht Show as the largest yacht in the port. Venice-based exterior and interior designer Nuvolari Lenard added plenty of personality and luxury to the vessel with oversized crystal light features, a hammam made of mosaics in the massive wellness area, and a grand staircase at the center of the yacht, crafted to resemble an olive tree.
Blue accents channel the traditional nautical aesthetic.
The 198-foot Rock.It is not short on style: Gleaming wood panels with creamy white leather inlays feature throughout; glowing white onyx contrasts with rich black Portoro marble; and the well-dressed owner’s cabin rivals the top suite of an old-world European hotel with a warm wood study and bathroom with a claw-footed tub. The refined design can be attributed to the Netherlands with Dutch shipyard Feadship behind the build and Dutch design studio Sinot Yacht Architecture & Design taking on the interiors.
Modern and laid-back, Come Together is effortlessly cool.
Built in the Netherlands by Amels with interiors by London-based Winch Design, the 197-foot Come Together has soft and laid-back beach-y vibes with a dose of Southern California cool. Elements like bleached oaks, woven linen fabrics, cabinetry with natural coconut shell, and hair-on-hide leathers all unite to bring the natural world aboard this chic ship.
Crisp and clean, the interiors of Be Cool are to-the-point in a refreshing way.
There’s a fleet of around a dozen large sailing yachts on display at this year’s yacht show in the dedicated Sailing Yacht Area. One of the most notable new launches of the bunch is Swan 98 Be Cool by Finnish shipyard Nautor’s Swan. The clean and crisp interior hull design by Genovese architect Misa Poggi embraces graceful nautical style and Scandinavian practicality with navy linen and cotton fabrics, dark oak, and handsome tobacco-hued leather.
Kokomo ’s interiors will speak to the minimalist.
Packed with cutting-edge green tech and ultralight solar panels, Sunreef’s newest catamaran Eco 80 will be making waves at this year’s show. However, it’s the interiors of the 80-foot Kokomo (done in-house by Sunreef) that will impress the design lovers. Outfitted in cool and calm shades of white with rattan finishes and eucalyptus veneers, Kokomo is both on-trend and a complete classic.
The glass-bottom pool is a highlight of the yacht.
One of the largest vessels currently on the market, the 281-foot B2 by German yard Abeking & Rasmussen, will be showing off an ultra-chic over-$4-million interior refit just completed in July at this year’s show. Sprawling out over five decks, Winch Design has curated a serene floating sanctuary of indoor-outdoor living, the highlight of which is the main deck’s glass-bottom pool, stationed above the light-filled beach club lounge with fold-down balconies that extend the living space right to the water’s edge.
With dark wood, tubular steel accents, and black furnishings, the interiors of State of Grace could be described as a nautical take on the Bauhaus aesthetic.
State of Grace by Italy’s Perini Navi is a gorgeous high-performance sailing sloop. It’s picture-perfect with polished teak decks, an ocean-blue hull, and billowing white sails. Inside is a study in midcentury-modern elegance with a split-level saloon and a spacious and full-beam owner’s suite with a hammam shower.
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Sailing superyacht technology has come on in leaps and bounds in recent years - we take a closer look at nine of the most stunning examples...
The brief for Aquarius included that she should be, ‘an elegant, muscular sailing yacht with a classic profile for family enjoyment.’ But that barely scratches the surface of the main requirements for this giant ketch. The owners also wanted a yacht that would combine good seakeeping characteristics with performance, reliability and quality.
Essential features included relative simplicity, robustness of systems and a contemporary interpretation of elegant, classic lines, with a clean and uncomplicated appearance. Aquarius ’s graceful lines and timeless shape belie a rugged world cruiser configured to be self-sufficient for extended periods when voyaging well beyond the popular Med and Caribbean circuits. In addition, the yacht is welcoming for family and friends, while providing sufficient performance to compete in superyacht regattas.
LOA: 56.18m (184ft 4in) LWL: 41.17m (135ft 1in) Beam: 9.51m (31ft 2in) Draught: 4.80m (15ft 9in) Displacement: 264 tonnes (591,360lbs) Mainsail: 520m2 (5,597ft2) Mizzen: 440m2 (4,736ft2) Blade: 430m2 (4,628ft2) Air draught: 58.50m (192ft 11in) Spars: Rondal carbon with Rondal/Carbo-Link continuous standing rigging Builder: Royal Huisman Launched: 2017
Photo: Baltic Yachts
The Baltic 175 Pink Gin may have captured most of the headlines for her sheer size and cleverly engineered topside balconies, but below decks a collection of Cuban art and some phenomenal styling demand equal attention.
Mark Tucker’s team at Design Unlimited in the UK worked closely with the yacht’s owner, Professor Hans Georg Näder, with whom they had co-operated on his previous Pink Gin , to produce an unusual exercise in interior styling.
LOA: 53.90m (176ft 10in) LWL: 45.27 m (148ft 6in) Beam: 9.55 m (31ft 4in) Draft: 4.50-7.00 m (14ft 9in – 22ft 12in) Displacement: 250 tons (560,000lbs) Ballast: 79 tons (176,960lbs) Naval architect: Judel/Vrolijk & co Interior: Design Unlimited Builder: Baltic Launched: 2017
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Over the past decade we’ve been treated to the rise of the custom built cruiser-racer. Arguably inspired by the success…
A demanding brief for Aquarius from experienced sailors has produced a masterpiece from some of the most experienced and talented…
The Baltic 142 Canova may not be using the hydrofoils popularised by the America’s Cup , but her 29ft 6in long (9m) horizontal sliding foil employs the same principle of lift to reduce heel and boost speed. The designers of the Dynamic Stability System (DSS) say it could improve the performance of this super-cruiser by 20 per cent, delivering a sustained 25 knots – not bad for a superyacht that displaces 146 tonnes. This is the first time the DSS has been used in superyachting, but its benefits will be used for comfortable, fast long-distance cruising rather than gaining an edge on the racecourse.
With styling and interior design by Lucio Micheletti as well as the in-house team, Canova sports a sleek, low deck saloon with a hard, fixed bimini extending over the forward cockpit area. Below, her vast deck saloon, providing panoramic views, forms the focal point of her luxury accommodation.
Unusually, the owner’s suite is located almost amidships, where motion is at its least, with further accommodation for six guests in three cabins. Other features include a Rondal rig with electric in-boom furling, a lifting keel and a propeller leg rotating through 180 degrees.
LOA: 43.3m (142ft 1in) LWL: 41.6m (136ft 6in) Beam: 9.m (29ft 6in) Draft: 3.8-6.5m (12ft 6in-21ft 4in) Displacement: 146.5 tons (328,160lbs) Naval architect: Farr Yacht Design Interior design: Baltic Yachts / Lucio Micheletti Exterior design: Lucio Micheletti Builder: Baltic Launched: 2019
Photo: Perini Navi
Part of the world’s largest sailing yacht series by length, Seven is hull number 3 in Perini Navi’s 60m ketch series, after Seahawk and Perseus 3 . Launched in 2017, she was feted for her groundbreaking interior lighting design throughout all five guest cabins. A powerful motor-sailer, her twin MTU engines and 47,000-litre fuel capacity mean a globe-trotting range of 3,600nm when motoring at 12 knots.
LOA: 60m (197ft) LWL: 50.4m (165ft 4in) Beam: 11.4m (37ft 4in) Draft: 4.3m-12.3m (14ft 1in – 40ft 4in) Mast height: 62.2m (204ft) Total sail area: 2,097 m2 (22,572ft2) Displacement: 575 tonnes (1,288,000 lbs) Naval architect: Ron Holland / Perini Navi Builder: Perini Navi Launched: 2017
Photo: Gilles Martin-Raget / Wally
This may be the fourth 100ft yacht designed to the Wallycento box rule, but it’s one that raises the bar with regard to combining form and functionality with outrageously cool aesthetics. Considering that Wally is yachting’s deity of style, that’s saying something.
Tango is at the very forefront of modern fast monohull design and advanced technology. Its stealthy black livery and long, low lines combine with a bold reverse sheerline to create a potent, powerful look. The ruthlessly clean deck is signature Wally. The image of the single helmsman on deck, with all that power and beauty controlled simply by the touch of a network of buttons on the pedestals, has become an icon for the Italian brand.
LOA: 30.48m (100ft) Beam: 7.20m (23ft 7in) Draught: 4.4-6.2m (14ft 5in-20ft 4in) Displacement (light): 47,500kg (104,720lb) Upwind sail area: 640m2 (6,889ft2) Downwind sail area: 1,398m2 (15,048ft2) Naval architecture: Mills Design Exterior design: Wally / Mills Design Interior design: Pininfarina Builder: Persico Marine Launched: 2017
Photo: Breed Media
The owner’s brief for Ngoni would be challenging for any size of yacht: “Build me a beast. Don’t build me a sheep in wolf’s clothing. This has to be an edgy and innovative weapon; fast and furious.” When the boat in question is a giant 58m (190ft) sloop with a displacement of nearly 400 tonnes this project was always going to push hard against existing boundaries of design, deck hardware and materials technology.
“The owner wanted me to take a fresh look at large yacht design,” Dubois recalled before his untimely death four years ago. “He wanted me to go back to my roots in the late 1970s and ’80s when we were designing race boats, but he also knew we had designed a number of high-performance yachts that were nevertheless seaworthy and comfortable cruisers. So I had to reset my internal computer, if you like, and look hard at how we could save weight and add strength.
“That’s how the reverse sheer came about. I was worried he might not like it. The next time we met in London I showed him the design and he loved it – in fact he gave me a big bear hug!”
LOA: 58.15m 190ft 9in LWL: 51.20m 167ft 12in Beam: 9.54m 31ft 4in Draught: 5.3m-81m (17ft 5in-26ft 7in) Displacement: 353 tons (778,224lb) Upwind sail area: 1,950m2 (20,989ft2) Downwind sail area: 3,093m2 (33,293ft2) Air draught: 75m (247ft) Naval architect: Ed Dubois Interior design: Paul Morgan / Rick Baker Builder: Royal Huisman Launched: 2017
Photo: Vitters Shipyard
Ahimsa is a 216ft sloop-rigged aluminum yacht, designed by the late Ed Dubois. Built with a combination of innovation and advanced technical craftsmanship, Ahimsa boasts a low superstructure and deck clean. Key features include the ability to hoist her mainsail in less than two minutes and tack the boat within 30 seconds.
The 83m carbonfibre mast is the largest ever produced by Southern Spars and had to be transported to The Netherlands in two pieces. As if that wasn’t impressive enough, Ahimsa ‘s Code 1 sail is the world’s largest artwork on canvas, designed by the Norwegian artist Magne Furuholmen.
LOA: 66m (216ft 6in) Mast height: 83m (272ft 4in) Naval architect: Ed Dubois Builder: Vitters Launched: 2012
Svea , the newest addition to the now nine-strong J Class fleet, is one of the most outstanding new yachts of modern times – a harmonious meeting of historic and modern design; a blend of J Class lines and maxi grand prix yacht technology.
All Js dazzle on the water, but Svea simply stops you in your tracks. Her lines and deck are kept spectacularly clean, thanks to the compact wheelhouse, sunken wheel and wonderfully low boom.
Her dark metallic grey hull and black and red sail wardrobe lend her timeless lines a slightly menacing appearance – a purposeful racing look that belies the luxurious interior below decks. The aggressive aesthetics are in keeping with her name, a Viking word (it means Swede).
LOA: 43.6m (143ft 1in) Interior design: Pieter Beeldsnijder / deVos deVries design Builder: Vitters/Bloemsma Launched: 2017
Not only is Liara a masterpiece of style, thanks to UK-based super designers Malcolm McKeon and Adam Lay combining to stunning effect, but she clearly represents a formidable amount of experience. And that all stems from the boss.
This is the fourth Liara for British serial yacht owner Tony Todd, who is now in his seventies. His initial brief was for a safe, comfortable family cruising yacht for circumnavigating the globe , hence the deep and well-protected cockpit. However, Todd has been racing yachts all his life, and once his competitive side kicked in and the odd regatta was mentioned, the speed, weight and deck layout to make this possible became critical features. The result is Liara , the definitive multi-role superyacht.
LOA: 112ft 0in (34.14m) LWL: 105ft 0in (32.00m) Beam: 25ft 11in (7.90m) Draught: 13ft 0in-20ft 2in (3.95m-6.15m) Displacement (light): 88 tonnes (194,000 lbs) Design: Malcolm McKeon / Adam Lay Builder: Baltic Launched: 2019
Amadea: When you think about what a superyacht should be, then a lot of luxury features will immediately spring to mind such as plush interiors, gleaming decks, rows of floor-to-ceiling windows and glass walls, as well as plenty of fun things included to keep us amused.
Nothing embodies the idea of a perfect mega-yacht more than the 106.5-metre Amadea mega-yacht, a veritable floating palace of a luxury vessel being the most detailed superyacht ever built!
The Amadea yacht was built from steel and aluminium in 2017 by German shipbuilders Lürssen, and is currently up for sale with Imperial the Monaco-based luxury yacht broker, and is looking for her next privileged owner.
However, the next lucky owner of this amazing yacht will grab themselves an absolute bargain because even though the Amadea is classed as ‘brand-used’, it has been refurbished to be in an even better condition than you would get when buying an off the peg new-build.
According to Imperial’s management team, the Amadea is a “true turn-key superyacht” because of the precise synchronisation between all parties that were responsible for creating such luxury.
So, what’s inside? Let’s take a peek inside one of the most desirable luxury yachts on the market today…
To infinity and beyond
One of the first eye-catching features that guests will notice once they board the Amadea mega-yacht is the 10-metre mosaic-lined infinity pool that sits on the main deck created by exterior designer Espen Øino. Taking a cooling dip in this pool will really allow guests to connect with the splendour of the sea and the beautiful surroundings wherever the owner chooses to anchor the yacht.
The Amadea has a clamshell arrangement of three overlapping shell structures containing five decks that hold endless world-class features to entertain her honoured guests, including a cooling air-ventilation system to keep guests and crew cool and comfortable, a future-proof bridge and a very grand white marble central staircase fitted with red carpet that links up each deck on the yacht.
The decks contain many hidden and convertible features such as a deck with 20,000 Watts of built-in speakers, lights and lasers, and a spa pool that can be converted into a stage for live bands or DJ’s to play.
Even the cinema on the bridge deck can be retracted when not in use, but when in use you can really get into the zone with the film you are watching because the two main sofas have D-Box motion control, allowing you to tip and move around mimicking the motion seen on-screen. The cinema even has its own popcorn machine!
Designer interior layout
Every detail of the interior décor has been carefully chosen. From the custom-built furniture to the matching books and ornaments, interior designer Zuretti left nothing to chance and pulled out all the stops to over-deliver a high level combination of chic comfort and class.
Zuretti was given a brief from the original owner asking for an authentic classic representation with the integration of classic furniture from the 18th century. You really get this feel as you walk through the yacht with alcohol, books and accessories being a key part of the interior design.
Øino and Zuretti collaborated extremely well to deliver external and interior designs that complement each other perfectly. Cosy and intimate nooks are not in short supply on board with plenty of recessed seating kitted out with cushions and sun loungers in warm, organic tones.
There are very eye-catching features to take in, such as the hand-painted Michelangelo clouds above the dining table, backlit bottles of whiskies, brandies and rums behind the bars, and the stainless steel, onyx panels and deck motifs.
All play and no work?
Despite the Amadea mega-yacht being unmistakably built for pleasure and leisure, the business needs of the guests have not been overlooked. The multi-functional bridge deck offers a private space for guests to conduct digital business meetings or to catch up with the news through the onboard cinema.
The main remit for the Amadea’s general arrangement was to deliver a luxury yacht with plenty of space, privacy and intimacy that meets with all purposes for both business and pleasure.
Other unique features you can find aboard include a helipad, outdoor firepit, gym, beauty centre, four Sea Doo watercraft, a vast art deco-style albatross off the bow that was created by Netherlands artist Willem Lenssinck, a ‘guests galley’ on the top deck that offers guests the opportunity to cook their own food with a grill area, copper pots and pans, a live lobster tank, and use of a winter patio dining area.
There is even a storage area containing a teppanyaki grill, a rotisserie and a hog-roaster. The yacht also has a crane to lift the equipment overboard so you can moor up and take your party to the beach!
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Dkt artworks.
If you're looking for custom artwork, sculptural furniture or a show-stopping centrepiece for your superyacht then London-based design firm DKT is the one to call. Priding itself on a site-specific approach, DKT's skilled craftsmen can turn their expert hand to almost any form of decorative work, including mosaic, sculpture and bas-relief in metal, glass and stone, trompe l'oeil, gilding, paint finishes and mirrored artworks, and have undertaken commissions for no fewer than 62 superyachts. Recent projects include custom designs for Ulysses , Joy , Dilbar and Plvs Vltra .
Visit dkt.co.uk .
A degree in architecture and a passion for fine art were the foundations of Chicago-based Suzanne Lovell Inc, which comprises a 20-strong team, and has been listed in Architectural Digest’s top-100 interior designers and architects. For more than 30 years, the company has built up an impressive portfolio of luxury residential projects, from superyachts to sprawling penthouses, Manhattan pied-à-terres and whimsical California beach houses.
Using a client’s personal taste as a launch pad, each project is undertaken via what Lovell calls the “Three-Dimensional Experience” — an all-round approach encompassing architecture, interior design and fine art, with an understanding that this trio are integral to the process. It’s an approach that echoes the practices of Ferrari and his contemporaries Charles and Ray Eames, Alvar Aalto and Giò Ponti . These giants of design were creative polymaths, often experimenting with art, furniture design, textiles, ceramics and glassware.
Craft is undeniably at the heart of Lovell’s hugely successful business. By collaborating with an array of niche design talent from her extensive network she ensures each finished project is a unique masterpiece. Art also takes a central role, with antiques and auction-sourcing an integral part of the process. “Sir John Soane inspired the creation of what he referred to as the ‘poetry of architecture’, where art can happen,” Lovell explains of her inspiration. “His words are telling: ‘Think and feel as a poet, combine and embellish as a painter and execute as a sculptor’. I believe this is what we do every day at Suzanne Lovell Inc.”
Visit suzannelovellinc.com
Many brands claim to provide comfort and functionality, but few strike the balance with such finesse as Loro Piana. Its clothing and accessories are made from the world’s finest raw materials and enhanced by innovative in-house engineering — its revolutionary Storm System treatment, for example, will make even the most lavish of fabrics, such as vicuña wool, 100% waterproof.
It’s no surprise, then, that the company is well established in the yachting industry. Loro Piana Yacht Interiors has cleverly adapted to the unpredictable conditions of life at sea without losing an ounce of quality. More than 600 varieties of customisable materials and special blends, including tussah silk woven with wool and horsehair, and fine merino wool blended with linen or silk, are employed in its stylish yet durable wall coverings, cushions, upholstery and light-blocking curtains.
Visit loropiana.com
Italian style is no stranger to flamboyance so Bottega Veneta’s subtle and discreet Home Collection is perfect for the superyacht owner who prefers a more muted colour palette. Founded in Vicenza in 1966, Bottega Veneta began producing luxury leather goods in the master craftsman tradition. That approach, rather than trend-driven fashion, has remained the cornerstone of the brand.
In 2006, the year it opened a school dedicated to training the next generation of leather artisans, the company launched its Home Collection. Creative director Tomas Maier started it all in 2001, when he began commissioning bespoke furnishings for select retail stores. The pieces soon attracted the attention of discerning clients but, rather than selling them (as was often requested), Maier promised to make the customers their own versions instead.
Ten years later the Home Collection is now an integral part of Bottega Veneta. It favours modern, functional pieces that bear the trademark intrecciato leather braiding motif. Each item is elegant enough to work as a standalone accessory or as part of a set, and the look suits an onboard setting just as well as one on dry land.
Visit bottegaveneta.com
“Veneto is full of artisans and is famous for its furniture, textiles and glassware. It’s very much the fashion here to have everything made by someone local,” explains Allegra Marchiorello. “Every little house in this corner of Italy has its own company in the backyard.” It’s one of the reasons Marchiorello co-founded Once Milano with his long-time friend, linen aficionado Valeria Piovesana Thompson. The house’s Italian-made linen is of the highest quality, made from the longest threads, using flax grown near Milan. The weave is the smoothest, strongest and most absorbent money can buy: cooling in the summer months, cocooning in the winter.
When the company was approached to produce a collaboration with Sanlorenzo , it seemed a very natural fit. “Linen is the perfect material on a boat: it’s light, low-maintenance and understated, yet incredibly luxurious,” says Piovesana Thompson. “That’s the beauty of it,” agrees Marchiorello. “It never looks contrived. It’s also all custom-made — we’ve worked with clients to create bespoke finishes and have included their monograms.”
Designing a collection for boats proved an interesting challenge. “It’s quite different to designing for a home,” says Marchiorello. “For starters, the water is such a central element, and the space you’re working with is contained. We wanted to create something that was sophisticated yet highly refined.” The brand’s covetable Piping Collection was born from this collaboration, and Once Milano enjoys a good working relationship with Jonathan Fawcett, one of the UK’s leading luxury supplier to superyachts.
Visit oncemilano.com
As part of luxury Italian linen house Pratesi’s ambitious five-year plan towards international expansion, it has launched a new range specifically for yachts. The collection of sumptuous bedding, table linens and towels is made to order, with customisation options including bespoke monogramming available.
Run by the fourth generation of the Pratesi family, the house is focused on delivering faultless craftsmanship, drawing on the skill of its team of designers, weavers and embroiderers, who create the linen in its Florence headquarters. COO and future CEO Simone Bocchio and president Federica Pratesi bring a personal insight into the yachting industry to the production of timeless, elegant linens.
Visit pratesi.com
“Offshore is an inhospitable world of wind, waves, rain and ultraviolet light,” designer Guillaume Rolland once said, “so the belly of a boat must be a nest — a place where one escapes all that.” Rolland heads the yacht division of the eponymous company founded by fellow Frenchman Christian Liaigre in 1987. He has been working with Liaigre since 2001, initially involved in all projects within the company, which is known for subtly luxurious furniture and interiors that make an elegant, understated use of natural materials, such as raw linens and woods weathered by the sea.
As the yacht interiors side of the business took off, Rolland, a lifelong sailor who regularly competes in regattas around the world, took charge of the company’s yacht design studio. Projects he has undertaken include Vertigo , a 67 metre sailing yacht that was awarded Sailing Yacht of the Year at the 2012 World Superyacht Awards . With Vertigo , the design studio worked closely with the boat builders from the start, so that the interior was created along with the yacht, rather than just made to fit into it. The design includes glass panels and doors in the cockpit areas that can be made transparent or opaque at the flick of a switch. So escaping the elements — or even your fellow guests — is simple.
Visit christian-liaigre.fr
Architect, industrial designer, artist and publisher, Gio Ponti was a giant of 20th century Italian design. During his long and fruitful career, Ponti developed an all-encompassing approach to his work, creating not just the structure of a building but also conceiving its entire interior scheme, from furnishings to lighting fixtures. His finest achievements include the Pirelli Tower — Milan’s first modern skyscraper — and the distinctive, castle-like Denver Art Museum.
One of Ponti’s most enduringly popular designs, however, is something altogether closer to home. The 1957 Via Dezza chair is an angular, upholstered armchair built on a linear metal frame. It was created by Ponti along with the entire furnishings of his self-designed Milan home (pictured) from which it takes its name.
For those coveting a slice of Ponti’s creative genius, the armchair and select Via Dezza gems have been reissued in an exclusive collection by Molteni&C. One of Italy’s most renowned furniture manufacturers, Molteni is a natural platform to preserve and present Ponti’s talent. The company works with some of the world’s best designers on a variety of high-end real estate and marine projects. The Via Dezza chair adaptation, Armchair D.153.1, stays true to the original, is available in two Ponti-designed fabrics and is the perfect place to kick back and enjoy the waves.
Visit molteni.itv
Italians can turn everyday objects into works of art and this is certainly true of the exquisite porcelain from Richard Ginori 1735. Delicate, hand-decorated patterns and illustrations of 19th century botany and rare birds adorn its charming collections, which will turn any on-board dining experience into an event to be remembered.
The distinguished porcelain company was founded nearly 300 years ago in the foothills of Monte Morello near Florence. Over the course of its illustrious history, it has collaborated with leading Italian architects and designers including Gio Ponti and was recently acquired by Gucci.
Visit richardginori1735.com
As one might guess from a furniture company with a name that evokes adventure, Summit’s speciality is extremely high-quality furniture specifically made for the outdoors. Crafted in sustainable, plantation-grown teak, which is water-resistant and strong, its chairs, tables and loungers are as ideal for the deck of a superyacht as for a domestic garden.
The Californian firm collaborates with leading designers like Linley, with which it created a clean-lined, curved collection (lounge chair, above, €5,487), inspired by the interiors of the top classic yachts . It is made to be stacked or stowed — perfect for sailing purposes.
Visit summitfurniture.com
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Rock.It. The 60.35m luxury yacht, built by Feadship, has Sinot Exclusive Yacht Design to thank for its impressive interiors. With rich, cherry woods, plush sofas and a grand spiral staircase, the opulent interiors are reminiscent of more traditional-style yacht interiors with a contemporary edge. Take a closer look at Rock.It 's interiors here.
After all, this luxury yacht by Studio Indigo is an actual winner of the World Superyacht Awards 2019! Thus, this project is all about the grand but understated mid-century luxury decor. The flowers, the wood, and navy-colored details combine to make this into a pretty classic luxury boat interior. Indeed, it's the beautiful and neutral ...
In our retrospective series on 2019, we look back at some of the best interiors revealed. There is no better place to start than the winner of the MYS Gala Award for Best Interior. The 111m Lurssen, designed by British studio Winch Design, has a wonderfully unique interior that sends guests on a period-based journey through worldwide luxury.
Year: 2002 - LOA: 97m - Builder: Lürssen - Exterior: Tim Heywood - Interior: Tim Heywood. 5. Maltese Falcon. The designer Ken Freivoch, responsible for the way this beautiful yacht looks says, "We are delighted that our fellow designers should have included Maltese Falcon within their shortlist.
Winch Design. Our list of the best yacht interior designers kicks off with Winch Design. Originally founded as Andrew Winch Designs by Andrew Winch and his wife Jane in 1986, it was rebranded as Winch Designs in 2015. One of the UK's leading superyacht and private jet design studios for over thirty years, it is now led by Jim Dixon.
Materials. When it comes to superyacht interiors, another important aspect of the design is the materials that are used throughout the vessel - these should be both stylish and seaworthy, adding to the style of a room while still complying with safety checks. A yacht interior designer will know how to approach this, but there are several ...
La Sultana. Lurssen. Mondomarine. Rossinavi. Royal Huisman Yachts. Sunrise. Tankoa. Take a self-guided tour of some of the most glamorous superyachts on the water….
All the latest superyacht interiors news, tips for making the most of your yacht's inside spaces and suggestions to keep your superyacht wowing guests. ... buying guides and the latest interior design news. Bed and board. Meet the luxury bed company giving you the best night's sleep on your yacht. News and advice. Call off the search.
Lürssen, Ahpo. All eyes will be on the whopping 377-feet Ahpo, by Lürssen, when it debuts this year at the Monaco Yacht Show as the largest yacht in the port. Venice-based exterior and interior ...
Ask any yacht designer of note what the secret of a great interior is and, almost without exception, they will tell you it comes down to how the space is planned. "Superyacht designs are created from the inside out," says Terence Disdale, of Terence Disdale Design. "Form follows function, practicality is combined with elegance.
British based design studio, H2 Yacht Design designed the interior of Victorious who features accommodation for 24 guests in 12 cabins, including a private deck for the owner's personal usage. Packed with amenities for family cruising, her interior is mindful of a child friendly design.
From Patricia Urquiola to Ken Fulk, these high-profile designers are nixing traditional yacht interiors for free flowing designs with luxe furnishings. By Andrew Sessa. April 3, 2022. Celebrated ...
8. Svea. Svea, the newest addition to the now nine-strong J Class fleet, is one of the most outstanding new yachts of modern times - a harmonious meeting of historic and modern design; a blend ...
The Amadea yacht was built from steel and aluminium in 2017 by German shipbuilders Lürssen, and is currently up for sale with Imperial the Monaco-based luxury yacht broker, and is looking for her next privileged owner. However, the next lucky owner of this amazing yacht will grab themselves an absolute bargain because even though the Amadea is ...
Interior design trends can come and go faster than a Williams Turbojet, and what can seem innovative and chic one moment can quickly become de rigueur. Luckily for the superyacht industry, the very best in marine architects and interiors specialists lead the pack in cleverly incorporating design trends in ways that ensure rooms stay stylish and ...
The Value of the SuperYacht Amaryllis. Reflecting the intricate design, luxury amenities, and superior performance, the Amaryllis yacht is valued at approximately $120 million. The annual running costs are estimated around $12 million. However, the price of a yacht can significantly vary based on numerous factors, including size, age, luxury ...
75008 Paris. France. Tel +33 (0) 1 4720 4772. [email protected]. CREDITS. Jeff Brown. Adrien Millot. Stephen Cridland. Based in Paris, CG Design is an architectural firm dedicated to high-end projects for an international clientele: yachts, private residences as well as luxury real estate developments.
As the 105-metre Oceanco sailing yacht Black Pearl joins the charter market ahead of her appearance at the Antigua Charter Show, BOAT gets an exclusive look at her interior, revealed for the first time.. The 105-metre yacht Black Pearl is now available for charter with Superyacht Connections. Holding the title of the second-largest sailing yacht on the water, Black Pearl took the industry by ...
Find Yacht Luxe Interior stock images in HD and millions of other royalty-free stock photos, illustrations and vectors in the Shutterstock collection. Thousands of new, high-quality pictures added every day.
Seven selections of paintings by Russian artists for any yacht interior. Megayachts are increasingly becoming the repositories of their owner's art collections. Art historians are sounding the alarm: owners do not know how to place a work of art, and the crew do not know how to properly care for it.On the Mediterranean and the U.S. East Coast - in the Mecca of yachting - some of the ...
The Californian firm collaborates with leading designers like Linley, with which it created a clean-lined, curved collection (lounge chair, above, €5,487), inspired by the interiors of the top classic yachts. It is made to be stacked or stowed — perfect for sailing purposes. Visit summitfurniture.com. 1 2 3 Next page.