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One haute yacht, the spirit bartech f35 owns speed, style, and control.

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The Spirit Yachts BARTech F35's stylish design dovetails classic lines with modern technology, ... [+] flying on foils while taking on the appearance of a golden era film star.

BAR Technologies and Spirit Yachts dovetailed talent and expertise to deliver a chic luxury launch in May of 2023, the Spirit BARTech F35 . With a gleaming mahogany skin and a nostalgic profile taking inspiration from the Rum Runners of the 1920s, the F35 is a distinctive, scene-stealing craft.

The first fully electric yacht to own a 100 nautical mile range, the F35 flies on foils while powering ahead at what is described as thrilling speed, courtesy of its electric motor and battery system. The yacht set a speed record for the circumnavigation around the Isle of Wight for electric vessels, slashing the existing best time from six hours to just one hour and 56 minutes.

The Spirit Yachts F35 is all about BAR Technologies' foiling design, offering a high level of speed, ... [+] control, and stability.

UK firm BAR Technologies , branched from Ben Ainslee Racing, employs advanced strategies and innovations to deliver efficient, sustainable solutions in answer to client requests. Using Artificial Intelligence, Computational Fluid Dynamics, Design Optimization, Finite Element Analysis, Performance Analysis, and expertise gained from America's Cup designs, BAR Technologies appears at the forefront of engineering for leisure craft as well as commercial vessels and work boats, delivering systems that are sustainable with an emphasis on exceptional results.

Ipswich, Suffolk, UK-based Spirit Yachts is known for precision woodworking and classic yacht design placing an emphasis on sustainable methods and materials. Universally recognized for a high quality aesthetic and functional purpose, Spirit Yachts builds custom wooden motor and sailing yachts. They are experts in creating everything from day sailors and performance racing yachts to blue water cruisers. And, as they point out on their website, occasionally the owner's brief requesting the design embraces all three.

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A chic instrument panel and innovative design with removable panels make the Spirit Yachts BARTech ... [+] F35 a versatile choice, going from a two person spider to a six person entertainer.

Already an owner of a Spirit 111 sailing yacht , the owner of the first F35 wrote a brief that requested a suitable launch to complement the existing yacht. Additionally, the owner requested that the launch be highly efficient, sustainable, and display a classic aesthetic. All squarely within Spirit Yachts' wheelhouse, so to speak, the design process began.

The successful completion resulted in a vessel inspired by sleek Rum Runners of decades past, fitted with BAR Technologies patented fully foiling design that lifts the boat entirely out of the water. Pairing nostalgic good looks with top-of-industry technology, the F35 offers an exclusive, sophisticated, comfortable ride.

Aft cowling panels lift off to reveal additional seating for three and a table, giving the Spirit ... [+] Yachts BARTech F35 a wider range of possibilities.

F35 By The Numbers

A luxury, 35-foot, fully electric foiling launch, the Spirit Yachts BARTech F35 is constructed of carbon skinned cedar planked mahogany veneer. Classing styling disguises the electric propulsion provided by the 24 V battery system, driving the F35 to a top speed of 30 knots, with a cruise speed of 22 knots and a 100 nautical mile range at 20 knots. A coachroof hatch is convenient for drop in battery access.

A "C" category inshore design, the F35 is stable in up to two meter significant wave heights, capable in wind speeds up to Force 6. The Aft foil, as well as the forward foils, are constructed in titanium with a composite trailing edge.

A cool box keeps drinks and snacks chilled. A water ski attachment point is provided by an ensign post fitting.

Flying on foils with at 30 knots, the Spirit Yachts BARTech F35 looks like a solid classic wooden ... [+] boat, but takes to tech for a surprising turn.

About The Partnership

Portsmouth UK firm BAR Technologies partnered with Spirit Yachts to deliver this luxury launch that satisfies the aesthetic while providing speed with a more sustainable footprint. Using its America's Cup design expertise, BAR Technologies was able to extend both speed and distance with this design, while maintaining the chic classic profile owned by Spirit Yachts.

The partnership of Spirit Yachts and BAR Technologies offers a blend of old and new in their F35 ... [+] foiling launch.

BAR Technologies CEO John Cooper notes, "The electric flyer will be the first of a series of boats we design to break new ground as we move into a greener generation of leisure yachts. The Spirit BARTech F35 is a boat of pure elegance that cannot help but attract interest."

Spirit Yachts' Karen Underwood adds, Öur collaboration with BAR Technologies is the epitome of the modern classic ethos on which Spirit Yachts was founded. Beautiful, clean, classic lines and sustainable timber construction married with forward-thinking technology from BAR with no compromise on comfort and efficiency."

Pointing toward a more sustainable yachting lifestyle never looked better.

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Professional BoatBuilder Magazine

The esprit of spirit yachts.

By Nic Compton , Sep 29, 2023

The sleek 52′ (15.85m) Flight of Ufford, launched in 2007, was campaigned hard and successfully by Spirit Yachts cofounder Sean McMillan. The traditionally styled wood/epoxy sloop has become the yard’s most popular model to date.

T he James Bond movie franchise has never shied from any chance to include a yacht in the narrative and as part of the set. And given the urgent nature of the glamorous secret agent’s business, these have tended to be fast powerboats, starting with the Fairey Huntresses and Huntsmen in  From  Russia With Love  (1963) through to the Glastron GT150 speedboat, which performed a spectacular 120 ‘  (36.6m) leap in  Live and Let Die  (1973), and a clutch of Sunseekers in subsequent films. In 2006, while filming  Casino  Royale , the filmmakers decided to do something a bit different. Alongside their usual high-velocity petrol-fueled fare, they featured a sailing yacht: a 54 ‘  (54 ‘  9 “ /16.7m) sloop with a long counter stern and seemingly acres of flawless varnish, which James Bond (Daniel Craig) and Vesper Lynd (Eva Green) sailed into Venice during a romantic interlude in the film.

Cast in the enviable role was the Spirit 54 designed and built by British boatbuilders Spirit Yachts, located in Ipswich, Suffolk, on the east coast of England. And if that wasn’t enough notoriety for the somewhat obscure custom builder, the producers repeated the trick in the 2021  No Time to Die , this time using a Spirit 46 (46 ‘  6 “ / 14.15m) sailing yacht for James Bond to sail around Jamaica during his “retirement” scenes.

The 54′ (16.7m) Soufrière was built for the 2006 James Bond franchise movie Casino Royale. Her brief appearance in the film making her way up the Grand Canal in Venice added the cachet of an international luxury brand to Spirit’s already sterling reputation as a yacht builder.

The pairing was in many ways a marriage made in heaven. Just as James Bond has come to symbolize the aspirational best of British wit, style, and appetite for adventure, Spirit Yachts offers the best in bespoke sailboats, combining high-performance modern hulls with a classic aesthetic and a price on par with Bond’s generous expense account. The formula has inspired a devoted following and led to a unique line of yachts, steadily increasing in size over the years, from the original 37-footer (11.5m) built in 1993 to its biggest creation so far, the 111 ‘  (33.8m)  Geist , launched in 2020.

Spirit Yachts is celebrating its 30th anniversary in 2023, so it seemed the perfect time to visit its expanded boatyard facility in Ipswich, where Spirit has become an increasingly important part of the regeneration of the disused docks and looks set to play an even bigger role as plans for a company-centered boatbuilding university take shape. The year started with the announcement of a major management reshuffle. Founder and chief designer Sean McMillan (now 72) is in effect taking semiretirement, handing ownership to a consortium of Spirit yacht owners and the day-to-day running of the company to Management Director Karen Underwood and the office’s newest recruit, Production & Design Director Julian Weatherill.

McMillan at the drafting table.

Yet the first person I see when I walk through the office door is McMillan, looking as suave and relaxed as James Bond himself, and bearing a roll of drawings for his latest design. No surprises there. Spirit Yachts has always been inextricably linked with this former-art-student-turned-boat-bum-turned-boatbuilder-turned-company-director. It turns out that he’s staying on as a consultant for the next three years, before fully retiring from the scene. Though it seems to me unlikely that will ever really happen.

“Sean is hanging on to the bits he likes [the designing] and letting go of the bits he doesn’t like [running a busy boatyard],” says Underwood, with a cheerful chuckle. She has worked in the marine industry for the past 25 years (including 15 years at Oyster Marine), and you get the feeling the company is in very safe hands.

She and McMillan are meeting a client at 11 a.m., so after a lengthy chat, newly promoted Marketing Director Helen Porter shows me around the yard. “We’ve had both sheds full of new builds for the past three years, catching up with pent-up demand after COVID,” she says. “We’ve had three 72s, one 68, one 52, and two 30s. We’ve now finally got space to take on some refurbishment projects, one for a couple who has been waiting a couple of years. The 52 in-build over there is Spirit hull number 80—or Sean’s 100th boat, if you include the ones he built before Spirit Yachts.”

A Spirit 72 in the busy yard in Ipswich, Suffolk, England, last June. At the time, the 30-year-old company was building its 80th hull.

It’s all a long way from the cottage in Saxmundham, about 18 miles (29 km) north of Ipswich, where I visited McMillan and his then-business-partner, Mick Newman, in 1994. They had just built their first boat, the Spirit 37, in a disused cowshed at the back of Newman’s house, and I had come to interview them and take photos of the boat for what would turn out to be the first-ever test sail of a Spirit yacht. Not that any of us had the slightest inkling of what was to come.

It all seemed to be a bit of a laugh. Sean had already had his fingers badly burned when his company, McMillan Yachts, had gone bust in the global financial crisis a few years earlier. Those boats were strip-planked gaffers, usually with modern underwater hull shapes and fancy joinery that fairly shouted out, “I am a wooden boat!”

“I was already playing with the visual joke about having a traditional-looking boat which is very modern below the waterline,” McMillan says. Not everyone got the joke, however, and after building a dozen boats, the company ground to a halt.

Back in ’94, he had joined forces with Newman—a former barge sailor—to create something completely different. The original Spirit 37 was inspired by the skerry cruisers of the Baltic, with their improbably tall rigs designed to catch the wind blowing over the tops of the flat islands, and their long, narrow hulls for optimum speed rather than comfort. But the new partners wanted to push the type to its limit by building the boat in super-lightweight materials and with a modern underwater shape—that McMillan joke again.

The first Spirit 37 (11.5m) was built in 1994, inspired by the tall-rigged skerry cruisers but with a modern hullform. She sailed beautifully and spurred multiple orders for boats of the same type and form.

The Beginning of Spirit Yachts

The first Spirit 37 was by any standards an extraordinary boat. With her long overhangs and narrow 7 ‘  (2.1m) beam, she looked superficially like a classic yacht from the 1920s, but underwater her bulb keel and skeg rudder told a more contemporary story. A judicious use of modern materials—including a strip-planked hull sheathed with fiberglass set in WEST System epoxy—meant the boat turned out exceptionally light: just 2 tons (4,000 lbs/1,814 kg), with an impressive 60% ballast/displacement ratio. It had a retro-looking fractional rig with knocked-back mast (curved aft at the top) combined with a modern-looking T-section boom and full-battened mainsail. The double cockpit and modern deck fittings suggested she was a serious racing boat, while the black walnut trim set it all off to dramatic aesthetic effect. Below decks, the boat had only sitting headroom, despite her 37 ‘  length, and the fit-out was stylish but spartan.

The Spirit company logo, a distiller’s retort flask, is set in the deck of the Spirit 52 Oui Fling

The pair named the boat the Spirit 37, not from any spiritual conviction but due to the volume of spirits consumed during her construction—hence the distiller’s retort flask in the logo. They had considered calling her the Hashish 37, but wisely decided against that in the end.

On the water, the boat proved nothing short of spectacular, clocking 11.7 knots on that first trial (a record she would take many years to break) and as light and responsive on the helm as an overgrown dinghy. She was every bit the fun boat McMillan and Newman had intended, but at that time she was a complete anomaly. The Spirit of Tradition class had yet to be created, and there were only a handful of identifiable “modern classics” in existence—mostly big cruising boats from the boards of Bruce King and André Hoek.

“[Back then] we were whistling in the dark,” McMillan later told me. “We had no idea whether there was a ‘retro’ movement or not. We just built the boat we wanted, which was fun and of a size we could relate to. Luckily, it struck a chord.”

The Spirit 46 Reprobate reveals the modern bulb keel and spade rudder that contribute to her remarkable turn of speed as she sails hard on the wind.

The Spirit 37 was one of the standout boats at the Düsseldorf boat show in January 1995 and was quickly snapped up by a German buyer, who sailed her for the next 25 years. The company also received two orders for 33 ‘  (10.1m) versions of the boat that would satisfy size restrictions on European lakes. Since then, Spirit Yachts hasn’t looked back.

The 37 was followed in 1996 by the 46 (14m), complete with carbon fiber mast, teak decks, and a serious turn of speed, reaching 18 knots on plane (though, according to my notes, McMillan claims he once got 26 knots out of a 46). Ten 37s were eventually built, as well as a dozen 46s. McMillan is keen to emphasize that no two Spirit yachts are identical, as they are all custom built, and even the 37 has three slightly different hull shapes, never mind the various interiors and deck layouts.

The year 1996 was a significant milestone in another way: it was the first time the Antigua Classics featured a dedicated class for modern classic yachts, and by a happy coincidence it named that class Spirit of Tradition. The Mediterranean classic-yacht circuit eventually followed suit in 2003. Suddenly it seemed that Spirit Yachts’ eccentric foray into imaginative boat design was not so contrary after all and was in fact on the leading edge of a new and growing movement. The bad boys of British boatbuilding were trendsetters in a glittering new vein of yachting.

Crucial to all this was McMillan’s background in fine art, for while he is just as concerned with performance and seaworthiness as other designers are, it is his willingness to take aesthetic risks that has set him apart in what is an intrinsically conservative industry.

After her role in the Bond film, Soufrière collected real-world silver racing in Ireland and at the Classics Week in Cowes.

“I take the view that yacht design is an art with science applied,” he says. “You have to have an instinctive understanding of how the hull moves through water. I gained that by sailing tens of thousands of miles as a delivery skipper, by leaning over the side of the boat and watching the hull, by getting more curious and studying hydrodynamics, and by going out and doing it. Some of the boats were great, and some not so great, but I learned a lot along the way.”

Despite its growing success, the business remained in the old cowshed behind Newman’s house until 2003, when they had to erect a temporary extension to build a 70-footer (21.3m), which was a full 10 ‘  (3.1m) longer than the shed itself. That was the final straw, and the following year the company moved to bigger premises at the old docks in Ipswich.

The slightly shorter Spirit 52 was spun out of that success, including the flush-decked Spirit of Tradition racing machine Oui Fling.

Bond Effect

If you had to imagine what a James Bond sailing yacht would look like, it would probably be a modern classic with exaggerated hull lines and a generous helping of shiny deck gear. So, it was almost an inevitability that sooner or later Spirit Yachts’ classy finish and understated power would attract the creators of the world’s most famous secret agent—and the 54 ‘   Soufrière  was duly built for the 2006 Bond movie  Casino Royale , complete with a luxurious interior comprising two cabins, en suite heads, and (that rarest thing on a Spirit yacht of that era) full standing headroom. The yacht was shipped to the Bahamas and sailed to Puerto Rico, then shipped to Croatia and sailed to Venice, where she is said to have been the first sailing yacht to go up the Grand Canal in 300 years (albeit under power).

All these efforts yielded just a few minutes of footage in the final film, but it was enough to turn Spirit Yachts, until then mainly a British success story, into an international brand. Following the release of Casino Royale , inquiries at the yard increased fourfold—though more often than not the phone went quiet when a price was mentioned. Not everyone, it seems, has a Bond-caliber budget.

Soufrière  turned out to be exceptionally fast and, under her new real-life owner, won a string of trophies at home in Ireland and at the annual British Classics Week in Cowes. Her success prompted McMillan to build a slightly smaller version for himself. Launched in 2007, his 52 ‘   Flight of Ufford  has proven equally competitive, regularly clocking speeds of up to 16 knots and winning British Classics Week three years running in 2014–16—though since 2017 he has had to take turns at first place with the stripped-down, flush-decked 52-footer  Oui Fling , built for Baron Irvine Laidlaw of Rothiemay. McMillan’s proudest moment on his boat, however, was being invited to join the Queen’s Jubilee Pageant on the Thames in 2012—the only modern yacht to be summoned.

The year 2007 was also a landmark for a more somber reason, as McMillan’s longtime business partner, Mick Newman, died in a plane crash. Sadly, he would never see the full flowering of the company he helped to create.

The 111′ (33.8m) Geist, designed for the owner of a 52 who wanted a larger version, was built mostly of sustainable timber, except for the teak decks.

The 52 went on to become the yard’s most popular boat to date, no doubt helped by McMillan’s enthusiastic campaigning of  Flight of Ufford  on both sides of the Atlantic. It also led to the yard’s biggest and most challenging commission. After the Spirit 52  Happy Forever  hit a rock in the Baltic, she went back to the Spirit yard for repair, and while her owner (a young German shipowner) stopped by to check progress he spotted a design McMillan was working on. He asked him to design a 90 ‘  (27.4m) version, and when that wasn’t quite right, asked that it be drawn out to 100 ‘  (30.5m), then 105 ‘  (32m) and, finally, 111 ‘  (33.8m). While the yacht’s hull grew longer with each design iteration, her freeboard remained unchanged—she just got sleeker and more stunning each time.

The result was  Geist , the Spirit 111, said to be the biggest single-masted wooden boat built in Britain since the J-Class  Shamrock  in the 1930s. Not only that, but the yard claimed it was “one of the most environmentally friendly sailing superyachts ever created.” Built mostly of sustainable timber (except for those endless teak decks), it boasted a 100-kW Torqeedo electric engine served by four banks of lithium-ion batteries that could be recharged by the propeller while under sail.

Belowdecks, the owner specified that he wanted only organic shapes—there should be no straight lines and no sharp corners. It was a challenge that the Spirit workforce (with some help from the design agency Rhoades Young) rose to, creating a cocoon-like interior with rounded bulkheads, curved seating and sideboards, and shell-like beds that seem to hover in space. Storage space is mostly hidden behind panels with sensor-activated doors that open to the touch. It was quite simply, as Underwood puts it, “a floating work of art.”

“Building the hull wasn’t a problem; that’s our bread and butter,” says Yard Supervisor Adrian Gooderham, who has worked at Spirit for more than 20 years. “But building the interior was a challenge, especially as they wanted the veneers to match, even in the sink areas, where it comes down the bulkhead onto the countertop, down the side, then onto the shelf, and down again—all matching. If there was a defect in any part of it, you’d have to find another veneer and start again.”

Most of the internal joinery was farmed out, but Gooderham built the distinctive saloon table—56 curved legs arranged in a circle, with a round glass top that bolted to the top of each leg. “Quite complex,” he admits.

Geist’s curvaceous bulkheads, settees, and house structure were built with flawless veneers, glass surfaces, and the absence of trim that could conceal any gaps.

Building Clean

The company’s commitment to the environment stems from its early days when, McMillan points out, just choosing to build in wood would label you as a crank. He still feels just as strongly about it now.

“You can’t build boats and not be concerned about the environment,” he says. “The implications for the yachting industry are dire, yet 99.9% of companies are banging out petrochemical products with no attempt to deal with end of life. There has to be a point when you stand up and say, ‘This cannot be right.’ We are gradually getting rid of diesel engines and trying to build boats that have minimum impact on the planet.”

Laminating diagonal sipo wood veneers over the Douglas-fir strip planking yields a stiff monocoque hull built mostly of renewable wood.

Over the years, the company has refined its focus. Early on, they stopped using Brazilian mahogany when their supplier couldn’t guarantee it came from a sustainable source. They switched to sipo, a similar timber grown as a commercial crop. More recently, they stopped using teak for decks and tried using the teak-substitute Lignia. When that company went bust amid concerns about the durability of the product, Spirit switched to using Douglas-fir, which has proven a good substitute. Various test panels with the alternative decking material are being continuously monitored, in part thanks to an accelerated-aging test tank on loan from electronics supplier Raymarine.

In 2020, they launched the first all-electric Spirit 44E (13.4m), fitted with an Oceanvolt sail drive powered by lithium-ion batteries that can be recharged by two large solar panels on the afterdeck or, while under sail, by the spinning propeller. Her decks were made of Lignia, and her sails were fabricated with 4T Forte recyclable cloth, courtesy of OneSails, which makes most of Spirit’s sails.  Avvento  was shipped to her owner’s home in British Columbia, Canada, where she cruises in remote areas for weeks at a time with no need for external energy supply. Her owner jokes that he’s more likely to run out of food than run out of electricity. Nearly half of Spirit’s new builds are now fitted with electric engines, though McMillan is quick to acknowledge that, environmentally speaking, they are not the “perfect panacea” due to the use of rare metals in the batteries.

Recently the yard has experimented with replacing teak decking with quarter-sawn Douglas-fir.

Bcomp’s flax fiber is a promising alternative to glass fiber laminate for exterior hull sheathing on Spirit’s 30-footers

More recently, Spirit Yachts has been applying flax cloth in place of fiberglass to sheathe their 30-footers—Bcomp’s ampliTex flax 350-g/m 2 biaxial (+/–45°) 1270mm and ampliTex flax twill 2/2, no twist, 1000mm, 300-g/m 2 —and will apply it to the bigger boats once they are happy with its performance. (See “ Flax  Boats,”  Professional BoatBuilder  No. 197, page 44.)

“We had to be much quicker with the glue when laying up the flax, as it is very absorbent,” says Gooderham. “We had to be precise with the quantities of resin, and we had to post-cure in a tent at 25°C [77°F] during the fairing process.”

The Spirit 44E Avvento was the first Spirit yacht with an electric sail drive powered by lithium-ion batteries. She also sported sails made of recyclable sailcloth.

They are also experimenting with bio-based resin in nonstructural areas and hope to use it more extensively in due course.

And there are many other, smaller ways the company earns its eco-credentials, as Helen Porter explains: “We recently replaced our plastic paint trays with sugar cane trays, and we’ve replaced our paint brushes and rollers with low-carbon-footprint products. We’re using vacuum bags made out of recycled materials. We’ve discovered we can reduce waste timber by 20% by using CNC to cut wood. So, we are constantly chipping away in the background. The goal is always to lower the carbon footprint of a yacht as much as possible.”

She makes the point that in most instances, the more sustainable solution will offer other benefits such as reduced noise, cheaper running costs, or greater self-sufficiency, meaning there is less need to call on expensive marinas. When the benefits are fully explained, she says, nine times out of 10 the client will opt for the more sustainable option.

Once again, the company’s once-unorthodox stance has served them well, and while most of the marine industry is playing catchup on burnishing their environmental credentials, Spirit finds itself in the vanguard of the movement. Underwood estimates that as many as 60% of their customers “have sustainability in their minds. They are living and breathing it already. They have an electric car. They have a ground-source heat-pump system at home. That’s why they come to us.”

Custom cabinetry and accommodations are strategically built-in before the cabin structure is sheathed.

Another sign of the times for Spirit Yachts is a greater emphasis on boat interiors, something designer Tom Smith, who trained partly in Italy, is happy to go along with. “The interior never used to get as much attention as the exterior. Now it’s just as much,” says Smith, who heads a team of four designers at the yard. “Lots of people want their yachts to be as comfortable as their homes. That should be possible, as long as you’re clever. I hate it when people say that yacht design is a compromise. There’s no reason to compromise; you just have to be clever with the design.”

In practical terms, that has meant a shift away from traditional wood paneling toward lighter colors, including white satin painted panels. The company is also collaborating with textiles companies to try out new color palettes including cloths made from recycled bottles.

Spirit Yachts Under Power

In recent years, Spirit has added a few powerboats to their stable of designs—from a couple of retro-styled launches, the P40 (12.2m) and P35 (10.7m), to a more substantial 70 ‘  motoryacht, the P70, designed to cross the North Sea from the U.K. to the Baltic and back at 18 knots. Even here, the company is keen to emphasize the designs’ eco credentials, noting that it can build the boats lighter than their GRP equivalents, which means they require smaller engines and therefore have greater fuel efficiency. It’s a virtuous circle that again benefits the client by saving them money in running costs.

Spirit’s most spectacular powerboat to date had finally completed its trials stage when I visited the company in June 2023. The F35 looks every bit like one of those classic North American speedboats from 100 years ago. Long and narrow, with sensuously shaped varnished topsides and foredeck, it appears the epitome of 1920s elegance. But, like her sailing sisters, the F35 has a secret hiding underwater: foils. Power her up to 14 knots or so and she will free herself from the tedious limitations of wetted surface area and fly largely above the water at up to 30 knots (though 22 knots is her cruising speed).

Spirit Yachts joined forces with BAR Technologies (better known for its  America ’s Cup simulation and design) to create this electric foiler with a range of 100 miles at 22 knots. This is a major step forward in electric boating, and all with a classic aesthetic that you don’t expect to perform so efficiently—that old McMillan joke again.

McMillan is rightfully proud of his new design and, back in the office, shows me a video of the boat in action on Lake Maggiore in Italy. Halfway through, the F35 is joined by a copy of the Crouch-designed  Baby Bootlegger , a curvaceous 1924 American mahogany speedboat that inspired his design. (See Paul Lazarus’s “How Fast Will It Go?” in PBB No. 169, page 62.) The family resemblance is clear—though, as McMillan points out, their performance is quite different. The old boat with its 220-hp (165-kW) combustion engine leaves a vast wake, while the big foiler at speed barely dimples the lake surface.

She’s clearly the future of motorboating—fast, elegant, and clean—especially once safety and ethical concerns around some lithium-ion batteries are resolved or competing alternative fuels become viable.

I’m keen to see the roll of plans McMillan has brought in for scanning—he still works in the early stages with pen and paper before submitting his drawings to CAD for the development and production stages—but it turns out they’re top secret. All he will say is that they are for an “extremely radical” electric foiler, considerably bigger than the F35. Even at 72, he is still clearly excited by this latest project.

An F35, the latest model in Spirit Yacht’s sparse line of powerboats, is an electric-powered fully foiling tribute to the mahogany runabouts of the 1920s.

Spirit Yachts’ Academy and Beyond

McMillan is willing to talk about another project close to his heart: the new Spirit Academy. In the past the company was able to recruit staff from all over the world to work in the yard, but that has become more difficult since Brexit, and like most companies in the boating sector, Spirit has suffered a skills shortage. The solution McMillan decided on is to set up a training center in a disused building right next to the yard. The Spirit Academy will be the first university-standard boatbuilding college in the world, training students to a high skill level so they come out ready to start work using modern tools and materials. The course of study will comprise most aspects of boatbuilding, including design, rigging, and sailmaking. The only thing that won’t be in the curriculum is fiberglass construction, which McMillan is convinced will soon “come to a crashing halt.”

He said he hopes to start restoring the building this autumn, with the first intake of students possible as early as fall of 2025. The plan is to enroll two classes a year of 12 students each for a two-year course, with a total of 48 students when it’s fully up and running.

Meanwhile, Spirit Yachts will continue building its distinctive brand of high-quality wood/composite yachts. Despite recent forays into powerboats, sailing yachts will continue to be their focus, particularly in the 60 ‘ –90 ‘  range (their “sweet spot,” according to Underwood). The new 72-footer is particularly popular right now, with three built in two years—one for charter (with a cabin forward for paid crew), one for racing, and the third for bluewater cruising.

McMillan shows no signs of slowing down, and neither does the company he created in a disused cowshed all those years ago. At last, it seems the world has caught up, and the McMillan joke of delivering modern performance boats with vintage aesthetics is one we can all understand.

About the Author:   Nic Compton is a freelance writer/photographer based in Devon, U.K. He lived on boats in the Mediterranean until the age of 15 and worked as a boatbuilder for many years before swapping his chisel for a pen and his router for a computer. He sails a Rhode Island–built Freedom 33, currently based in Greece.

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• United Kingdom
• New Cut East IP3 0EA Spirit Yachts Ltd

company History

the Most known Builder of wooden, or >classic, the boatbuilding industry was founded by designer and sailor Sean McMillan in 1993. It was his second attempt to do business. A year earlier, the Bank withdrew the entire startup McMillan Yachts , and along with housing Sean.

In the room of the old farm in Suffolk Sean and his partner Mick Newman made the first Spirit 37 . She impressed the connoisseurs of elegance and speed.

the Founders of Spirit Yachts were inspired by the classic boat 1930 , with the use of modern technologies of wood processing and forming blocks.

Even with orders, Macmillan and Nyman never left the farm, while their life is not forced. In 2003, Spirit Yachts has started to build 70 ft , which just did not fit in the old hangar. According to another version, the police asked the workers to find another place noise. The new building of the shipyard was the Old Wet Dock in the centre Ipswich .

worldwide fame with Spirit Yachts have received with the release of the 2006 film "Casino Royale "where James bond walked on the Grand canal Venice the elegant Spirit 54 . After filming, the boat was immediately sold, and Spirit Yachts was able to prove that classic never goes out of fashion.

In 2007, Spirit Yachts have built the first fully wooden 100 ft boat Gaia. The yacht was so beautiful and fast that it is now laid her increased 111-foot version.

company Status

the Crisis of 2008 was a test for Spirit Yachts. But the company managed to survive and even to get a British award for achievements in entrepreneurship.

Manufacturing

the Shipyard Spirit Yachts is Ipswich Haven Marina . The area of the yard is 1500 sq m. the production employs about 60 people.

exclusive Spirit Yachts builds sailing yachts from 11 to 30 m in length, entirely of wood. Model range divided into line Classic, Deckhouse and Cruising. Are separately superyacht Spirit of 100 or more feet. Every boat, and all of them built more than 60, is a work of art, with a corresponding cost.

Motorboats Spirit are the object of reverence of fans. Boats Spirit even more rare than sailboats, therefore, the secondary market for them is a real hunt. Exclusive offer from Spirit Yachts can be considered their projects to The Royale and Spirit P70 — motor yacht of the highest quality.

In 2018, Spirit Yachts celebrated 25th anniversary victories in regattas and the laying of the first sailing boats with a hybrid power plant. Yacht Spirit 111 >has a 4-BMWi batteries that are charged while driving under the sails.

the Name of wood, which are made of body, Spirit Yachts, sound like music. It is Oregon pine, Sapele, cylindrical, Cuban mahogany, natkanski cypress. The interior is used teak. Boat work light and fast, for example, Spirit 46 speeds up to 20 knots.

a Passionate yachtsman Sean McMillan believes sailing race Yachts the philosophy of Spirit, and therefore his own Spirit 52' Flight of Ufford is constantly on the start of the next "classic" regatta. Here, McMillan draws inspiration and ideas for projects, because Spirit Yachts are not attracted to third-party designers.

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Spirit Yachts Deckhouse 50 first look

When the James Bond film people were choosing a yacht for him to be spending some time aboard in Venice, in Casino Royale , they clearly needed something classics, for an iconic film hero steeped in the myth and murk of cold-war spying, and yet with Daniel Craig’s new direction for this role, it needed to be modern too.

Step forward the Spirit yacht, a racy-looking craft yet with touches of understated luxury about it. Spirit Yachts has gained a reputation for blurring the new into the old. The designs – with their long overhangs, low freeboard, fast lines and swept decks – have something of the 1930s about them, but they also look modern, with moulded coachroofs which, while varnished, are more 1990s than 1930s.

The underwater profile too, is unashamedly modern, with dishy body form and lead bulb keels on steel plates. Nevertheless, sailing in the Spirit of Tradition classes, the various Spirits – from 37ft (11.3m) to the large 70 (and even the huge Spirit 100 in 2007) – have caught many an eye at classic regattas and the company has grown on a reputation of quality, adding models almost every year.

This year, things get a little different. Spirits have a new deckhouse version, with raised topsides giving the yachts a sturdier, more cruisey feel while further blurring the line back to the 1930s. We love it.

Two versions of the new DH model are available – the seven-berth 50 and the nine-berth 57 (using berths in the deckhouse) while a 65ft (19.8m) version is also in build. The look transforms Spirit, giving it t more noble profile and a slightly chunkier appearance that makes you feel like taking them offshore and into the deep range. The deckhouses themselves seem to have compound curves in all directions. Cambered over the top and yet slightly scalloped fore and aft, they have a little of the pagoda look to them, as designer Sean MacMillan explains.

ELEGANT FLEET

“It’s all about elegance really,” he says. “Classic design is what really appeals to me and I try to introduce that into my designs.” While the effect is one of a classic boat, looking more closely you will see the modern touches on a Spirit. Thus halliards and lines from the mast are taken through the hatch furniture and via blocks out onto the coachroof deck and then to the Spinlock clutches.

The racing touches and modern safety systems are one thing but on the water these boats also handle well. There is such a lightness to the helm that one-finger steering is possible, even in gusts of wind. They go over on their gunwale in the catspaws of a gusty day late on Suffolk’s River Orwell, and then get onto a rail. Flying up the river, quick-tacking with just a couple of minutes for each board is fun, and never stressy. They are lightweight boats (the older 52 is eight tonnes) that handle more like dinghies.

QUALITY OF JOINERY

It’s certainly the quality of construction that sets Spirit Yachts apart. The strip-based build, super stiff with ring frames and layers of glassfibre, allows the yacht to be set up for modern racing. Yet at the same time, the joinery below decks confirms the handmade, bespoke nature of the one-off classic yacht. The new deckhouse version delivers more of that, as well as more air and light into the interior. Prices, ex VAT, of the DH50 start at £720,000 and £980,000 for the DH57.

See more at www.spirityachts.com

Taken from our July 2011 issue (CB277). The August issue has arrived at the printer and will be on sale 15 July, with a design critique of another new, British spirit-of-tradition yacht: the Fairlie 5.

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Astrakhan Oblast, Russia

The capital city of Astrakhan oblast: Astrakhan .

Astrakhan Oblast - Overview

Astrakhan Oblast is a federal subject of Russia, part of the Southern Federal District, situated in the Caspian Lowlands where the Volga River flows into the Caspian Sea. Astrakhan is the capital city of the region.

The population of Astrakhan Oblast is about 989,400 (2022), the area - 49,024 sq. km.

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Astrakhan oblast latest news and posts from our blog:.

4 March, 2020 / Astrakhan - one of the oldest cities in southern Russia .

18 May, 2019 / Colorful summer sunset in the Volga River delta .

4 April, 2019 / Cities of Russia at Night - the Views from Space .

11 May, 2017 / Astrakhan Kremlin after the Restoration .

13 December, 2016 / Astrakhan - the view from above .

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History of Astrakhan Oblast

In ancient times, the territory of the Astrakhan region was crossed by trade routes of the Persians and the Arabs. In the 8th-10th centuries, the territory belonged to the Khazar Khanate. There is a hypothesis that Itil, the capital of the Khazar Khanate, was located on this territory. It was destroyed by Prince Svyatoslav in 965.

Later, Polovtsy settled on this land. In the first half of the 13th century, the Mongol-Tatars came to the area. After them, Tatars of the Astrakhan Khanate and Kazakhs became the main population of the region.

In 1556, during the reign of Ivan the Terrible, the Astrakhan Khanate was annexed to the Russian state and ceased to exist. Astrakhan krai became the southeastern military outpost of Russia. In particular, in 1569, the Turks unsuccessfully besieged the fortress of Astrakhan.

In the 17th century, trade, fishing and salt industries developed in the region. In the middle of the 17th century, the uprising of Stepan Razin took place on the territory of Astrakhan region. In 1722, near the mouth of the Kutum River, a shipyard called the Astrakhan Admiralty was built. In the 1730s-1740s, the processing of silk and cotton began here.

Astrakhan Oblast was created in 1943. The region gained its current borders in 1957.

Steppe landscapes of Astrakhan Oblast

Astrakhan Oblast scenery

Author: Dvornikov Mikhail

Steppe road in the Astrakhan region

Astrakhan Oblast - Features

Astrakhan Oblast is located in the south-east of the East European Plain within the Caspian Lowlands. It is an area of deserts and semi-deserts. Astrakhan oblast borders on the Volgograd region in the north, the Republic of Kalmykia in the west and Kazakhstan in the east.

It is located on the border between Europe and Asia, the Volga River gives access to five seas. The main cities of the region are Astrakhan (518,700), Akhtubinsk (35,500), Znamensk (25,700), Harabali (17,100).

The climate of Astrakhan Oblast is continental, dry. Winters are with little snow, frequent thaws and unstable snow cover; summers are hot. January is the coldest month, the average temperature is minus 10-20 degrees Celsius. July is the hottest month - the average temperature is plus 35-45 degrees Celsius.

According to the 2010 census, the ethnic composition of the local population is the following: Russians (67.6%), Kazakhs (16.3%) and Tatars (6.6%). Orthodox Christianity is the main religion. However, Muslims also make up a significant group of the population (more than 20%). Historically, this province was a place where Kazakhs and Tatars settled. The largest Kazakh community in Russia lives in the Astrakhan region.

Astrakhan Oblast views

Paved road in Astrakhan Oblast

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Camels in Astrakhan Oblast

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The Volga-Don Shipping Canal in Astrakhan Oblast

Author: Kudanov Pavel

Astrakhan Oblast - Economy

Natural resources of the region include natural gas, oil, salt, gypsum.

The industrial complex of Astrakhan, the economic center of the region, includes shipbuilding, pulp and paper industry, fish processing industry. The leading industries are fuel industry, mechanical engineering, power engineering, food industry. Astrakhan gas condensate field, the largest in the European part of Russia, is located in the area. Astrakhan Gas Processing Plant produces gas for cars, diesel and boiler fuel.

Agricultural lands make up more than 3.4 million hectares - the cultivation of tomatoes, peppers, aubergines, courgettes, cucumbers, carrots, beets, onions, cabbage, watermelons. Rice is traditionally grown along the Volga. The leading branch of livestock is sheep breeding.

The region stretches for over 400 km in the form of a narrow stripe on both sides of the Volga-Akhtubinsk flood-lands. Flooded for a long time, the territory of the delta serves as spawning-ground for such fish as sturgeon, stellate sturgeon, white sturgeon and others.

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Lenin Monument in Astrakhan Oblast

Bridge in Astrakhan Oblast

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Church in Astrakhan Oblast

Limanskiy Khurul - the only active Buddhist temple in Astrakhan Oblast

Limanskiy Khurul in Astrakhan Oblast

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SPIRIT SY111

REALISING THE DREAM

“Build a work of art”. The brief from the owner of the Spirit 111 Geist had beauty and soul at its heart.

A completely custom project, the design of the yacht began with a collaboration between Spirit Yachts and Rhoades Young. Jonathan Rhoades commented, “The brief was a combination of his love for furniture and organic architecture. The client had recently visited Antelope Canyon in Arizona and this was the catalyst for the idea of the warm soft flowing walls creating unique focal points within the room.”

Spirit Designer Sean McMillan added, “There was to be no straight lines or objects that interrupted the ‘flow’ of the sweeping timber curves. Once the aesthetics were established, the primary design challenge was marrying the beauty of the interior with the operation of the yacht. After Rhoades Young had delivered the initial ‘S’ shaped concept for the interior, it was our task to bring the design to life and ensure it could be accomplished by the build team. The visual side of the brief made the importance of ‘hidden’ technical spaces even more acute given the amount of systems and engineering on such an advanced yacht. The curves of the interior not only had to look seamless, they also had to house the functional elements of the yacht and be accessible. Hidden recesses and sensors became integral for disguising storage and technical spaces (even door handles were replaced with secret hand-activated sensors to ensure the doors remained seamless panels). As well as looking like a “work of art”, the interior of the yacht also had to comply to RINA’s exacting classification requirements. This marriage of practicality, safety and beauty to deliver on the owner’s brief made the project a thrilling challenge.”

Geist’s owner added, “I have owned a Spirit 52 for ten years and during this time I have grown to implicitly trust and respect the team at Spirit Yachts. I knew they would listen to my ideas and I was confident they had the skills to execute the project. The result is Geist: a very special yacht, a dream come true. The aesthetics of the yacht, inside and out, were always of paramount importance. Closely followed by the aim of being as self-sufficient as possible and minimising the impact on the environment. In most larger yachts, space is gained at the cost of detaching yourself from nature. In Geist, I wanted beauty to take precedence over practicality.”

SPIRIT SY111 SUPERYACHT AT A GLANCE

Specification & features.

• L.O.A 111' 3" / 33.90m
• L.W.L 78' 9" / 24m
• Beam 21' 0" / 6.40m
• Draft 13' 3" / 4.05m
• Lightship Displacement 75.8 tonnes
• Ballast Ratio 45%
• Propulsion 100kW electric shaft drive
• Upwind Sail Area 450 m2
• Rig Fractional Bermudan Sloop
• Keel Iron Blade 8390kg – Lead Bulb 16585kg
• Classification Society RINA (private use – unrestricted navigation)
• RINA Suggested Max Persons 10

TIMELESS ELEGANCE

Spirit Yachts’ contemporary, elegant design style is world renowned. Subtle variations on 1930s classic yacht design with long overhangs, low profiles and smooth lines, married to contemporary underwater profiles, are synonymous with Spirit’s modern classic performance yachts.

Spirit Yachts are designed to be as beautiful in 100 years as they are today.

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• A 48 Hour Guide To...

A 48 Hour Guide to Astrakhan, Russia

Travellers who venture into Astrakhan will enjoy the historical charm and cultural vibrancy of this old Silk Route town. The otherworldly Lake Baskunchak and extensive Delta wetlands are just a day trip away.

Astrakhan lies close to the Kazakhstan border where the Volga River flows into the Caspian Sea. It used to be a town on the old Silk Route and is built on more than 10 islands. Meander along canals and over bridges to soak up ancient Tatar, Christian and Islamic history. Venture into the surrounding countryside to enjoy the splendour of the Volga Delta wetlands and the region’s natural beauty.

Day one – Acquaint yourself with the city

Morning – Explore local history

Start the day by taking a walk through the Kryusha Quarter. It’s the city’s former Tatar and Persian area, and it remains a predominantly Muslim area. As such, there are clusters of mosques in various states of neglect and repair.

Starting at Ulitsa Kirova, walk along Kazanskaya Ulitsa until you reach a Lenin bust. If you cross over the canal, you’ll come across a well-kept park, complete with sculptures and a lake. Continue past it, and you’ll end up at the foot of the hill where the city’s Kremlin sits on top. A UNESCO World Heritage site with inviting gardens and temporary exhibitions, the Kremlin is not to be missed.

Pro tip: The Kryusha Quarter is fascinating to walk through, but it is still a little rough. It is fine to walk through during the day, but it is best to avoid it at night.

Afternoon – Discover Astrakhan’s cool hidey-holes

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Once you’re finished at the Kremlin, cut through the Fraternal Gardens to the city’s hipster hangout, Rozmarin Cafe , and fill up on freshly cooked meals and refuel with strong coffee. Once revived, take a peek at the Museum of Military Glory, which is as patriotic as the name suggests. However, despite the museum’s nationalistic slant, it is a good place to learn about historical battles.

Afterwards, it is worth walking over to Moloko, a hip, modern canteen-style café, which is run by the same people as Rozmarin Cafe. Even if you’re still full from lunch, they are licensed. So, why not have a cheeky afternoon drink and a snack?

From Moloko , it’s another lazy stroll along the banks of the Kutum River to the banks of the Volga – the manicured riverfront is the city’s crowning glory. There are people to watch, sculptures to see, and sunsets to enjoy.

Evening – Enjoy riverside views

After all of that walking about, treat yourself to a delicious meal. Right on the waterfront, Yamato is an indulgent, top-notch Japanese restaurant. The menu offers Japanese dishes, sushi, pan-Asian and Asian-fusion meals, as well as a lot of classic European and Russian cuisine. And it’s not just the food that is good here – so is the decor, inspired by Japanese minimalism and traditional aesthetics.

Pro tip: Yamato is popular. Book a reservation or be prepared to wait for a little while.

Night – Embrace the local culture

For those who want to sample some high-brow culture, why not check out what ballet is showing? The Astrakhan State Theatre of Opera and Ballet may not have the same clout as other regional theatres, but like most ballet and opera in Russia, they are still done to an outstanding standard.

For those who want to kick on, take the short stroll over to Kul’tovyy Bar (Cult Bar) for dim lighting, live music and boozy drinks. It also serves reasonably priced food. After loading up on positive vibes, belt out a few tunes with new friends at any of the many karaoke bars in town, such as Chicago House.

Whatever time the night ends, rest your well-worn legs at the luxurious Novomoskovskaya Hotel , a 10-minute walk away from Kul’tovyy Bar. Sleeping options are limited in Astrakhan, but they are also affordable, which means this five-star hotel comes with a bargain price tag. It’s also right in the heart of the city, so the Kremlin and the central sights are all within walking distance.

Day two – Soak up the Astrakhan region’s beauty

Morning – Venture out to the great outdoors

Although the city still has plenty to offer, a trip to the surrounding countryside is a must. Around Astrakhan , the Volga River splinters off into thousands of streams and rivers, known as the Volga Delta Wetlands. The wetlands, filled with birds and animals, are lush and an adventure to explore.

Roads eventually peter out and make way for rivers and marshes. The further you explore the wetlands, the more likely you’ll need a boat. A trip into the wetlands is a day trip in itself, so don’t plan to cram too many countryside sights into your itinerary.

Pro tip: Many tour companies offer trips into the wetlands, so shop around to find a deal that you like. Parts of the area are protected, so tourists need a permit. Tourist agencies in Astrakhan can help you organise these. Procosta is a tour company that offers trips into the delta with a guide, and only Procosta tours can be taken without one of these permits.

Afternoon – Float in salty water

An alternative day trip is to Lake Baskunchak, near the Kazakhstan border. One of Russia’s major salt basins, it supplies the nation with approximately 80 percent of its salt. Back in the day, people used to flock here to reap the health benefits of the salty water and the clay, and legend has it that it is a place of healing. Despite, or because of, its otherworldly appearance and its far-flung locale, it remains a popular tourist destination, albeit an unusual one.

A swim in the lake is comparable to a dip in the Dead Sea , although many swimmers bring shoes because prickly salt covers the bottom of the lake-bed. The lake used to be an important stop on the Silk Route, as its seemingly endless supply of salt has long been a precious commodity.

Pro tip: Make sure you pack a picnic, plenty of fresh water and sunscreen because there aren’t any trees around the lake.

Evening – Feast on traditional dishes

All that country air will induce hunger that must be satiated. So, head straight to Mindal (which translates to Almond) to feast on steaming hot Georgian khachapuri and Uzbek pilaf and other drool-inducing dishes. A top restaurant in town, Mindal serves up hearty central Asian and Caucasian dishes in a casual, yet stylish setting – a perfect treat to end a long day spent on the road and in the great outdoors.

Night – Relax with a beer

Mindal has a licensed bar that also serves up hookahs, so if you are suffering from a post-pigout food coma, and are exhausted from the day, hang around and enjoy yourself for a little bit longer. But if you want a change of scenery, visit Akademiya Piva, (Beer Academy). This restaurant and brewery is not only a stumble away from the hotel, but it is an opportunity to try a local brew or two. Of their five house-made beers, one is brewed in the style of the iconic Soviet beer, Zhigulevskoye.

Pro tip: If you want to relax after dinner at Mindal, book a booth table and make yourself comfortable. Also, for those on a budget, Akademiya Piva serves pub grub at a reasonable price.

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